That is the highest frequency it will go to for 2560 x 1080 resolution - I can live with that.A1278, 13', 2.7GHz i7, 8GB RAM, 500GB HDD, Early 2011. Then set these in custom resolutions in ResX - but set the frequency to 53 Hz. Use switchResX to export EDID settings. My Specs - macOS Catalina 10.15.13 - macbook pro 2012 15 inch - LG ultrawide 34UM61 - thunderbolt to hdmi.Next in line was a consumer-grade desktop computer, a segment of the market that had grown stale and uninspired. On this anniversary week, we’ll take a look at the design evolution of the iMac.In early 1998, a reinvigorated Apple was in the midst of filling out its new, four-quadrant product matrix. Explorations of color, form, material, and miniaturization have marked significant breakthroughs throughout the years. At this point, you can select any of the available screen resolutions.Perhaps none are more significant than the iMac’s design story.
Custom Resolution Registry Book Pro Early 2011 Trial Design JonyWhile the iMac wasn’t the first Apple product to use translucent plastic, it was decidedly more “Un-PC,” without a spot of beige to be found.Then-VP of Industrial Design Jony Ive asked “What computer would The Jetsons have had?” when designing the original iMac. To design the iMac, Apple pushed its latent industrial design team, a group that had been underserved by previous company leaders. And it was the first to show that computers could be cool. It was Apple’s first computer to be built for the internet era (that’s where the i comes from.) It was the first to drop all legacy I/O in favor of the more modern USB standard. Apple had the opportunity to make a splash, and they embraced it.The original iMac was a product full of firsts.The company’s teams spent over 6 months determining how to produce the exact colors they wanted.Playlist: Apple’s iMac color commercials.Less than a year later, the iMac saw another major design change. According to Jobs, the plastics simply didn’t exist when Apple began their research. Even Apple’s pro products would later get a splash of color, like the iMac-inspired line of Studio Displays that debuted in 1999.Engineering colorful, translucent Macs turned out to be no small task. Colors made the computer feel more human and let users express themselves. In early 1999, Steve Jobs announced a line of five new iMacs spanning a range of colors: blueberry, grape, tangerine, lime, and strawberry. The iMac’s vibrant hues also embodied the spirit of 1960s Olivetti typewriters, which were notable for their use of color in a market dominated by dull, corporate designs.“ Bondi blue” was the color chosen for the first iMac, allegedly named after the waters of Bondi Beach in Sydney, Australia.In 2000, 4 new colors – Indigo, Ruby, Sage, and Snow joined Graphite at various price points, replacing the 5 original colors. In addition to the five colors previously offered, a special edition iMac was available exclusively in a translucent shade of graphite.Apple continued to experiment with the iMac’s colors in successive models. Ventilation was inconspicuously added around the computer’s handle for convection cooling. Apple miniaturized the internal components, making the new iMac fan-less and even more translucent. By keeping the computer’s chassis distinct from its display, the LCD panel could remain thin and “true to itself,” according to Steve Jobs.The new design was a perfect example of how constraints can facilitate elegant solutions. Apple chose not to “take a hacksaw to” the outgoing iMac, instead creating an entirely new form which Jony Ive remarked “appears to defy gravity.” A 15-inch LCD panel suspended on a polished neck was anchored by a domed base housing the iMac’s components. A ground-up redesign was needed to facilitate the transition from CRT displays to flat panel, LCD technology. In July of the same year, Snow returned and both patterns were dropped, leaving three colors in the line.At Macworld San Francisco in 2002, the iMac’s design conversation shifted from color to shape. Both “Flower Power” and “Blue Dalmatian” iMacs featured patterns molded directly into the plastic case, rather than being applied decals. Archiver program for macThe computer’s radical design has today earned it a place in the Museum of Modern Art’s Architecture and Design department.It’s worth noting that Apple’s innovative design wasn’t without compromise. Pixar even collaborated with Apple to make two animated shorts featuring the iMac. Some have called it the “Luxo Lamp iMac,” referring to Pixar’s Luxo Jr., and others have drawn comparisons to the famous 1950s line of Philco Predicta televisions. While objectively more modern looking than its predecessor, the new iMac still retained the charm of the original. Again, Apple took advantage of the limitation by using the tray-loading drive to personify the computer. And gone from this generation were slot-loading optical drives, a highlight of the previous generation. 17 and 20-inch models of the iMac launched later in 20 stretched the limits of the visual balance achieved in the 15-inch model. The computer also came bundled with Apple Pro Speakers, superior to the computer’s internal speaker, but at the expense of extra wires on your desk. The updated iMac G5 also shipped with Apple’s new 6-button infrared remote, an accessory built to control Mac OS X’s Front Row media application, and later used with the first-generation Apple TV. Previously, video conferencing required the purchase of Apple’s standalone iSight camera – a large, $150 accessory that connected with a FireWire cable. Apple also integrated an iSight camera above the display – a first for any Mac. Slot-loading drives returned, and a removable back panel made the system easily expandable and serviceable.In October 2005, the iMac G5’s case was thinned out, with tapered edges and repositioned I/O along the back. Matching ultra-thin aluminum keyboards completed the look. Plastic was banished almost entirely, save for a matte black rear panel. A large, glossy display framed by a black glass bezel and aluminum housing made the iMac look instantly more modern. A refresh in September 2006 added a 24-inch model to the lineup – the iMac’s largest display yet.Just as the iPod had inspired the design of the iMac G5, the iPhone inspired Apple’s next generation desktop. Overnight, a computer that was twice as fast fit inside the same case. Steve Jobs noted that professional users felt the new design looked more like a pro computer than the outgoing model, and that consumers felt it looked even more like a high-end consumer product. Similar styling would make its way to Apple’s Cinema Display and unibody MacBooks.In addition to complementing the iPhone, the move to an aluminum and glass enclosure offered several benefits for Apple.
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